Love it, hate it, look forward to it or avoid it, April 16 is Record Store Day.
Here are 10 records that caught my eye, in no particular order.
- “Doctor Who: Genesis of the Daleks” (Demon). A story-telling record (Remeber those? “Rebel Mission to Ord Mantell,” I will never forget you) on “‘70s Tardis blue colored vinyl.” LP. Tom Baker (The Fourth and most famous Doctor) narrates one of the key episodes in the extremely long-running series, as the Time Lords send the Doctor on a journey through space and time to try to prevent rhe Daleks from being created. My kids are getting into Doctor Who, maybe they would like it.
- David Bowie, “I Dig Everything: The Pye Singles 1966” (BMC/Sacntuary). A six song EP of the tunes a very young Bowie knocked out for Pye in ’66. Bowie before he was BOWIE, essentially.
- Buzzcocks, “More Product in a Different Compilation” (ORG): Almost all of the A-sides and a whole mess of B-sides from first-wave punk’s greatest singles act. All of these bangers appeared between 1977 and 1980. It’s an expanded version of “Singles Going Steady” sort of. Perfect for the younger person in your life who keeps listening to terrible pop-punk. (Do young people still do that or is it all stuff like Bring Me The Horizon now?)
- D.O.C., “No One Can Do It Better” (Get On Down): First time in print on vinyl since this West Coast hip-hop classic dropped in 1989. A rapper from Dallas, production from Dr. Dre, NWA guest
appearances: What are you waiting for (other than Record Store Day)?
- Alejandro Escovedo, “Gravity” and “Thirteen Years” (New West). Two early (and extremely heavy) solo albums from one of Austin’s most beloved are realaunching the defunct Austin label Watermelon as a division of New West. On 180 gram vinyl.
- Fleetwood Mac, “The Alternate Tusk” (Rhino): The “alternate version” (read: alternate takes of songs from) of “Tusk,” previously released on CD in that massive “Tusk” reissue, now on double LP. A few songs really do sound like Pavement.
- Ida “Will You Find Me” (Polyvinyl): I used to think you could find this excellent 2000 LP anywhere, but it’s currently going for about $30 on discogs. (That said, if you want it on CD, it will cost you a dollar.) A double LP, gatefold version mastered at 45 for maximum sonic whump. Perhaps these acoustic singer-songwriter-indie-folk-rock titans made a bad record, but I sure haven’t heard it.
- The James Brown Revue, “Get Down at the Apollo with the J.B.’s” (Get On Down). A full 1972 set from Brown and his funk machine, then operating at yet another heady peak. Previously available as as download but not on LP. As I said, I am not made of stone, people.
- Lydia Lunch and Marc Hurtado, “My Lover the Killer” (Munster): Latest collaboration between Lunch, a queen of musical-and-lyrical transgression (both major and minor) since the 70s and Hurtado, one half of the French industrial duo Étant Donnés. I will always give at least a listen to whatever Lunch is up to.
- Superchunk, “Tossing Seeds: Singles 1989-91” (Merge): The first LP Merge (Arcade Fire, Neutral Milk Hotel) ever released. The Platonic ideal of early ’90s indie rock and a perfect album. Not a bad pairing with the Buzzcocks joint (for obvious reasons).
There are, obviously, dozens more. Check it out for yourself.
What say you, Austin? What are you looking forward to?