On Saturday, we, the people, celebrate the tenth anniversary of Record Store Day, the day record stores and record labels come together to celebrate getting off your butt and going into the recorded material emporium of your choosing and spending that money on exclusive releases in stores on that day only. (Unless they don’t sell out; then you may see them again.)
Yes, getting all of them would set you back a lot of money.
But man, there’s a lot of spectacular music here.
David Bowie, “Cracked Actor (Live Los Angeles ’74)” A previously unreleased live recording from September 1974, a transitional show between the Diamond Dogs tour and the Philly Dogs tour, the sci-fi glam god turning into the soul man who fell to Earth. Produced by David Bowie and mixed by Tony Visconti, over the course of three LPs.
Luna, “Penthouse Deluxe” Remaster of this gorgeous album with a second LP of unreleased tracks, rare b-sides and demos, including an extended version of their “Marquee Moon”-style, guitar shimmer-jam “23 Minutes in Brussels.”
The Meters, “A Message from The Meters–The Complete Josie, Reprise & Warner Bros. Singles 1968-1977” Three LPs collecting 40 single sides of some of the greatest funk — no, make that the greatest music — ever recorded. Essential listening for all conscious humans.
Santana, “Live at The Woodstock Music & Art Fair, August 16, 1969” First time on wax for this legendary, career-making set. Peace and blessings to drum god Michael Shrieve.
UGK, “Too Hard to Swallow” The first album by Houston hip-hop legends Bun B and the late Pimp C gets the vinyl treatment for the first time in celebration of its 25th anniversary.
Various Artists, “Girls In The Garage – Oriental Special – Volume 9” Female-fronted garage pop from throughout 1960s Asia.
Various Artists, “Where The Pyramid Meets the Eye” Tribute compilations were all the rage in the early Nineties and this 1990 tribute to Roky Erickson remains one of the all-time best. Nearly every song is a keeper; personal faves include heartbreak of Bongwater’s “You Don’t Love Me Yet,” the space-frippery of Julian Cope’s “I Have Always Been Here Before” and Poi Dog Pondering’s “I Had to Tell You.” A double LP with three bonus tracks previously available only on the cassette.
The War On Drugs, “Thinking of a Place” This two-part song, on 45 RPM over both sides of a 12″, is the first new music since 2014. from these gauzy guitar thinkers who absolutely do not sound like Arcade Fire, no way.
Link Wray, “Beans and Fatback” In 1969, eleven years and several lifetimes after his world-historical instrumental “Rumble,” whose twang and shudder was the very sound of 1950s at its seediest and make both power chords and distortion root integer of rock music, Link Wray (1929-2005) found himself on his father’s farm in Maryland, the “3-Track Shack.” There, he, siblings and friends made three albums: “Link Wray,” “Mordicai Jones” and this one, “Beans and Fatback,” roots records that don’t quite sound like anything else: a blend of blues, country, gospel, Native American chants and folk that sounds like it could have been cut tomorrow. A dispatch from when the old, weird America was turning into something even stranger.